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Dürer is the best of German artists and such a lot consultant of the German brain. He, like Leonardo, was once a guy of remarkable actual recognition, nice allure of demeanour and dialog, and psychological accomplishment, being good grounded within the sciences and arithmetic of the day. His ability in draughtsmanship was once striking; Dürer is much more celebrated for his engravings on wooden and copper than for his work. With either, the ability of his hand was once on the provider of the main minute statement and analytical study into the nature and constitution of shape. Dürer, despite the fact that, had now not the sensation for summary attractiveness and excellent grace that Leonardo possessed; yet as an alternative, a profound earnestness, a better curiosity in humanity, and a extra dramatic invention. Dürer was once a very good admirer of Luther; and in his personal paintings is the similar of what was once potent within the Reformer. it's very critical and honest; very human, and addressed the hearts and realizing of the loads. Nuremberg, his fatherland, had turn into a superb centre of printing and the executive distributor of books all through Europe. hence, the paintings of engraving upon wooden and copper, that may be known as the pictorial department of printing, was once a lot inspired. Of this chance Dürer took complete virtue. The Renaissance in Germany used to be extra an ethical and highbrow than an inventive flow, in part because of northern stipulations. the sensation for perfect grace and wonder is fostered through the learn of the human shape, and this were flourishing predominantly in southern Europe. yet Albrecht Dürer had a genius too strong to be conquered. He remained profoundly Germanic in his stormy penchant for drama, as was once his modern Mathias Grünewald, a wonderful visionary and insurgent opposed to all Italian seductions. Dürer, inspite of all his annoying strength, ruled conflicting passions by way of a sovereign and speculative intelligence related with that of Leonardo. He, too, was once at the border of 2 worlds, that of the Gothic age and that of the trendy age, and at the border of 2 arts, being an engraver and draughtsman instead of a painter.

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Portrait du marchand Oswald Krell, vers 1499. p. 29 23. Portrait de l’artiste par lui-même (Autoportrait avec paysage), 1498. 24. Portrait d’Elspeth Tucher, vers 1499. p. 30 p. 33 26. Emblèmes Héraldiques, vers 1499. p. 35 27. los angeles Vierge et l’Enfant, vers 1498. p. 36 28. los angeles Vierge au serin, vers 1506. p. 37 29. los angeles Vierge à los angeles poire, vers 1526. p. 38 30. los angeles Madone à l’œillet, 1516. p. 39 l. a. Vierge, l’Enfant et Sainte Anne, vers 1519. au bord d’un fleuve, 1495. p. forty 32. los angeles Vierge, l’Enfant et Sainte Anne, vers 1514. p. forty-one 33. L’Adoration de Mages, 1504. p. forty two 34. los angeles Fête du Rosaire, 1506. p. forty three 35. Jésus au milieu des docteurs, vers 1506. p. forty five 36. Portrait d’un gentilhomme, vers 1524. p. forty six p. 70-71 fifty eight. Héron, vers 1515. p. seventy two fifty nine. l. a. Tréfilerie, 1493-1494. p. seventy four 60. L’Eglise et le cimetière Saint Jean, p. 32 25. Portrait de jeune femme, 1505. 31. eighty p. forty seven sixty one. près de Nuremberg, 1494. p. seventy five Innsbruck, (vue du nord), 1494. p. seventy seven NOTES ¹ ² ³ Apelle était un peintre de los angeles cour d’Alexandre le Grand, actif aux environs de 330 avant J. -C « À l. a. mémoire d’Albrecht Dürer. Cette colline preserve ce qui était mortel en lui. Il est mort le 6 avril 1528.

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